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'''Poetry''' (from the [[Greek]] "ποίησις", poiesis, a "making") is a [[form]] of [[literary]] [[art]] in which [[language]] is used for its [[aesthetic]] and evocative [[qualities]] in addition to, or in lieu of, its apparent [[meaning]]. Poetry may be written independently, as discrete poems, or may occur in conjunction with other [[The Arts|arts]], as in poetic [[drama]], hymns, lyrics, or prose poetry. Poetry is published in dedicated magazines, e-zines, [[individual]] collections and wider anthologies, although it is rare to see anything other than [http://en.wikipedia.org/wiki/Lyric_poetry lyric poetry] outside of collections.
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'''Poetry''' (from the [[Greek]] "ποίησις", poiesis, a "making") is a [[form]] of [[literary]] [[art]] in which [[language]] is used for its [[aesthetic]] and evocative [[qualities]] in addition to, or in lieu of, its apparent [[meaning]]. Poetry may be written independently, as discrete poems, or may occur in conjunction with other [[The Arts|arts]], as in poetic [[drama]], hymns, lyrics, or prose poetry. Poetry is published in dedicated magazines, e-zines, [[individual]] collections and wider anthologies, although it is rare to see anything other than [https://en.wikipedia.org/wiki/Lyric_poetry lyric poetry] outside of collections.
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Poetry, and [[discussions]] of it, have a long [[history]]. Early attempts to define poetry, such as [http://en.wikipedia.org/wiki/Aristotle Aristotle]'s ''[http://en.wikipedia.org/wiki/Poetics_(Aristotle) Poetics]'', [[focused]] on the uses of [[speech]] in [[rhetoric]], [[drama]], song, and comedy. Later attempts concentrated on features such as [[repetition]], [http://en.wikipedia.org/wiki/Line_(poetry) verse] form and [http://en.wikipedia.org/wiki/Rhyme rhyme], and emphasized the aesthetics which distinguish poetry from prose. From the mid-[http://www.wikpedia.org/wiki/20th_Century 20th century], poetry has sometimes been more loosely defined as a [[fundamental]] [[creative]] [[act]] using [[language]].
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Poetry, and [[discussions]] of it, have a long [[history]]. Early attempts to define poetry, such as [https://en.wikipedia.org/wiki/Aristotle Aristotle]'s ''[https://en.wikipedia.org/wiki/Poetics_(Aristotle) Poetics]'', [[focused]] on the uses of [[speech]] in [[rhetoric]], [[drama]], song, and comedy. Later attempts concentrated on features such as [[repetition]], [https://en.wikipedia.org/wiki/Line_(poetry) verse] form and [https://en.wikipedia.org/wiki/Rhyme rhyme], and emphasized the aesthetics which distinguish poetry from prose. From the mid-[https://www.wikpedia.org/wiki/20th_Century 20th century], poetry has sometimes been more loosely defined as a [[fundamental]] [[creative]] [[act]] using [[language]].
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Poetry often uses particular forms and [[convention]]s to suggest alternative [[meanings]] in the [[words]], or to evoke [[emotional]] or sensual [[responses]]. Devices such as [http://en.wikipedia.org/wiki/Assonance assonance], [http://en.wikipedia.org/wiki/Alliteration alliteration], [http://en.wikipedia.org/wiki/Onomatopoeia onomatopoeia], and [[rhythm]] are sometimes used to achieve musical or incantatory [[effects]]. The use of [[ambiguity]], [[symbolism]], [[irony]], and other stylistic elements of poetic diction often leaves a poem open to multiple [[interpretations]]. Similarly, [[metaphor]], [http://en.wikipedia.org/wiki/Simile simile], and [http://en.wikipedia.org/wiki/Metonymy metonymy] create a [[resonance]] between otherwise disparate images—a layering of [[meanings]], forming [[connections]] previously not [[perceived]]. Kindred forms of resonance may exist, between [[individual]] verses, in their [[patterns]] of rhyme or rhythm.
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Poetry often uses particular forms and [[convention]]s to suggest alternative [[meanings]] in the [[words]], or to evoke [[emotional]] or sensual [[responses]]. Devices such as [https://en.wikipedia.org/wiki/Assonance assonance], [https://en.wikipedia.org/wiki/Alliteration alliteration], [https://en.wikipedia.org/wiki/Onomatopoeia onomatopoeia], and [[rhythm]] are sometimes used to achieve musical or incantatory [[effects]]. The use of [[ambiguity]], [[symbolism]], [[irony]], and other stylistic elements of poetic diction often leaves a poem open to multiple [[interpretations]]. Similarly, [[metaphor]], [https://en.wikipedia.org/wiki/Simile simile], and [https://en.wikipedia.org/wiki/Metonymy metonymy] create a [[resonance]] between otherwise disparate images—a layering of [[meanings]], forming [[connections]] previously not [[perceived]]. Kindred forms of resonance may exist, between [[individual]] verses, in their [[patterns]] of rhyme or rhythm.
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Some forms of poetry are specific to particular [[cultures]] and [[genres]], responding to the characteristics of the [[language]] in which the poet writes. While [[readers]] accustomed to identifying poetry with [http://en.wikipedia.org/wiki/Dante_Alighieri Dante], [http://en.wikipedia.org/wiki/Johann_Wolfgang_von_Goethe Goethe], [http://en.wikipedia.org/wiki/Adam_Mickiewicz Mickiewicz] and [http://en.wikipedia.org/wiki/Rumi Rumi] may think of it as being written in rhyming lines and [http://en.wikipedia.org/wiki/Meter_(poetry) meter], there are [[traditions]], such as [http://en.wikipedia.org/wiki/Biblical_poetry Biblical poetry], that use other approaches to achieve rhythm and [http://en.wikipedia.org/wiki/Euphony euphony]. Much of modern British and American poetry is to some extent a [[critique]] of poetic [[tradition]], playing with and testing (among other [[things]]) the principle of euphony itself, to the extent that sometimes it deliberately does not rhyme or keep to set rhythms at all.  
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Some forms of poetry are specific to particular [[cultures]] and [[genres]], responding to the characteristics of the [[language]] in which the poet writes. While [[readers]] accustomed to identifying poetry with [https://en.wikipedia.org/wiki/Dante_Alighieri Dante], [https://en.wikipedia.org/wiki/Johann_Wolfgang_von_Goethe Goethe], [https://en.wikipedia.org/wiki/Adam_Mickiewicz Mickiewicz] and [https://en.wikipedia.org/wiki/Rumi Rumi] may think of it as being written in rhyming lines and [https://en.wikipedia.org/wiki/Meter_(poetry) meter], there are [[traditions]], such as [https://en.wikipedia.org/wiki/Biblical_poetry Biblical poetry], that use other approaches to achieve rhythm and [https://en.wikipedia.org/wiki/Euphony euphony]. Much of modern British and American poetry is to some extent a [[critique]] of poetic [[tradition]], playing with and testing (among other [[things]]) the principle of euphony itself, to the extent that sometimes it deliberately does not rhyme or keep to set rhythms at all.  
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Great poems differ from others exactly because of these, since their [[words]] invoke [[thoughts]] and powerful [[feelings]] in the listener or [[reader]]. Some poets, like the Hungarian [http://en.wikipedia.org/wiki/Attila_Jozsef József Attila], wrote exceptional poems with words combined in sentences that achieve [[meaning]] greater than the [[Synergy|sum of the meanings]] of the [[words]]. Some of these became sayings in the everyday [[language]]. Across [[time]] and cultures the meanings of the words change, and make it difficult to enjoy the [[original]] [[beauty]] and [[power]] of poems.[http://en.wikipedia.org/wiki/Poetry]
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Great poems differ from others exactly because of these, since their [[words]] invoke [[thoughts]] and powerful [[feelings]] in the listener or [[reader]]. Some poets, like the Hungarian [https://en.wikipedia.org/wiki/Attila_Jozsef József Attila], wrote exceptional poems with words combined in sentences that achieve [[meaning]] greater than the [[Synergy|sum of the meanings]] of the [[words]]. Some of these became sayings in the everyday [[language]]. Across [[time]] and cultures the meanings of the words change, and make it difficult to enjoy the [[original]] [[beauty]] and [[power]] of poems.[https://en.wikipedia.org/wiki/Poetry]
    
[[Category: Languages and Literature]]
 
[[Category: Languages and Literature]]

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