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Synoetics and Self: The Construction of Planetary Identity as an Aesthetic Oeuvre (view source)
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unpublished paper, 1960.
unpublished paper, 1960.
Gromala, D., Hodges, L. and Shaw, C. (2000), ‘The Meditation Chamber’, GVU
Gromala, D., Hodges, L. and Shaw, C. (2000), ‘The Meditation Chamber’, GVU
Center, Georgia Institute of Technology, http://www.gvu.gatech.edu/gvu/medi-
Center, Georgia Institute of Technology, https://www.gvu.gatech.edu/gvu/medi-
tation/proj_frameset.htm. Accessed 20 August 2004.
tation/proj_frameset.htm. Accessed 20 August 2004.
Haraway, D. (1991), ‘The Actors are Cyborg, Nature is Coyote, and the Geography is
Haraway, D. (1991), ‘The Actors are Cyborg, Nature is Coyote, and the Geography is
Little, G. (1999), ‘A Manifesto for Avatars’, Intertexts, Webs of Discourse: The
Little, G. (1999), ‘A Manifesto for Avatars’, Intertexts, Webs of Discourse: The
Intertextuality of Science Studies, 3: 2, p. 193. See also
Intertextuality of Science Studies, 3: 2, p. 193. See also
https://art.bgsu.edu/~glittle/ava_text_1.html.
Little, G., Betz, B. and Eber, D. (2004), ‘Exploring Conscious Experience in Artistic
Little, G., Betz, B. and Eber, D. (2004), ‘Exploring Conscious Experience in Artistic
Virtual Environments’, Consciousness Research Abstracts: Toward a Science of
Virtual Environments’, Consciousness Research Abstracts: Toward a Science of
Consciousness, Tucson AZ: Imprint-Academic, p. 99. See also
Consciousness, Tucson AZ: Imprint-Academic, p. 99. See also
https://art.bgsu.edu/~glittle/presence/. Accessed 20 August 2004.
Merleau-Ponty, M. (1968), The Visible and the Invisible (ed. C. Lefort, trans. A.
Merleau-Ponty, M. (1968), The Visible and the Invisible (ed. C. Lefort, trans. A.
Lingis), Evanston, IL: Northwestern University Press, p. 140.
Lingis), Evanston, IL: Northwestern University Press, p. 140.