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'''Timothy Wyllie''' was born in London in 1940 and trained in England as an architect. He moved to America in the mid-sixties and now lives in the high desert of New Mexico. He has been drawing since he was a child.
 
'''Timothy Wyllie''' was born in London in 1940 and trained in England as an architect. He moved to America in the mid-sixties and now lives in the high desert of New Mexico. He has been drawing since he was a child.
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After working as a graphic designer for some years he had a [[near death experience]] in 1973 which radically changed him. His reality was suddenly expanded and he became aware of the deeper dimensions of life. As a consequence, he decided to devote himself to the study of non-human intelligences (angels, dolphins, and extraterrestrials among them) using visual art, music and writing as the three main means of communication.
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After working as a graphic designer for some years, he had a [[near death experience]] in 1973 which radically changed him. His reality was suddenly expanded and he became aware of the deeper dimensions of life. As a consequence, he decided to devote himself to the study of non-human [[intelligence]]s ([[angel]]s, dolphins, and extraterrestrials among them) using visual [[art]], [[music]] and writing as the three main means of communication.
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In 1980 he started a series of sacred landscape graphics and this has led to an ever-widening examination of the way graphic art can anchor [[spiritual]] [[information]] into the third-dimensional reality we share. Much of his visual work has a healing dimension and he likes to use the concentrated attention of a light trance state to create either a mandala or an icon that represents the physical healing intended. His lifelong interest in [[telepathy]] has also inspired him to do a series of graphics designed to explore the potentials of visual telepathy and its relationship to [[synchronicity]] and the higher dimensions.  
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In 1980 he started a series of sacred landscape graphics and this has led to an ever-widening examination of the way graphic art can anchor [[spiritual]] [[information]] into the third-dimensional reality we share. Much of his visual work has a healing dimension, and he likes to use the concentrated attention of a light trance state to create either a mandala or an icon that represents the physical healing intended. His lifelong interest in [[telepathy]] has also inspired him to do a series of graphics designed to explore the potentials of visual telepathy and its relationship to [[synchronicity]] and the higher dimensions.  
    
==Early Life==
 
==Early Life==

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