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...s include: Leonardo Da Vinci's Mona Lisa, Michelangelo's David, Ludwig van Beethoven's Ninth Symphony, Shakespeare's Hamlet, Dante Alighieri's Divine Comedy, Le

...(e.g. Kyrie Eleison of the [[Requiem (Mozart)|Requiem in D minor]]) and [[Beethoven]] (e.g. end of the Credo of the [[Missa Solemnis]]), and many composers suc ...mitri Shostakovich]]. The most classicist fugues that have appeared after Beethoven are those of Felix Mendelssohn, who as a child impressed Goethe and others

...polygon. Many other artists, writers, scientists and inventors – including Beethoven, Richard Wagner, Walter Scott, Thomas Edison and Isaac Newton – have cred

...wiki/Shakespeare Shakespeare] and [https://en.wikipedia.org/wiki/Beethoven Beethoven], [https://en.wikipedia.org/wiki/King_James_Bible The King James Bible], mo

CLOSING MUSIC: [https://www.youtube.com/watch?v=yyelz5Q0Z9w Beethoven's 8th Sonata, from Pathetique, "Adagio Cantabile"]

...oward it. So, why is that? Why do plants perk up when you play Mozart or Beethoven and why does certain music soothe a baby while other music seems to distort

..., but that term is distinct from any romance that might arise within it. [[Beethoven]], however, is the case in point. He had brief relationships with only a fe ...but that term is distinct from any romance that might arise within it.<ref>Beethoven, however, is the case in point. He had brief relationships with only a few

LaReen: I have a curiosity question. Has he met Beethoven yet?

Music: Andante Adagio Cantabule Second Movement of a Beethoven Sonata

It is as though Mozart or Beethoven or Bach had created a new being, that their composition was a living entity

You are already aware that much of the work of Mozart and Beethoven, and so on, are useful, have been useful and proven useful to assist young

...en mouth and buckled wrinkled brows - he looked like one of those busts of Beethoven - he listened to the story:

...d opening and middle sections. The astonishing harmony at the beginning of Beethoven’s Waldstein Sonata op.53, for example, would be out of place at the end o ...ith Riemann’s doctrine of metre and rhythm, is developed from the music of Beethoven. It is thus to some degree not a case of competitive theories dealing with