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  • ...ilton]'s [[Satan]], when he cries out: "Hail, [[horrors]], I greet thee!". Schiller's description of pathos continues to [[influence]] the use of the word toda
    4 KB (562 words) - 02:36, 13 December 2020
  • ...kespeare|Shakespeare]], Lope de Vega, Jean Racine, or [[Friedrich Schiller|Schiller]], to the more recent [[naturalistic]] tragedy of [[August Strindberg|Strin
    4 KB (634 words) - 02:41, 13 December 2020
  • 3 KB (418 words) - 01:35, 13 December 2020
  • ...though he and [https://en.wikipedia.org/wiki/Friedrich_Schiller Friedrich Schiller] ended their period of association with it by [[initiating]] what would bec ...] and torment. [https://en.wikipedia.org/wiki/Friedrich_Schiller Friedrich Schiller]'s drama, [https://en.wikipedia.org/wiki/Die_R%C3%A4uber ''Die Räuber''] (
    9 KB (1,231 words) - 02:00, 13 December 2020
  • ...read avidly by [[Johann Wolfgang Goethe|Goethe]] and [[Friedrich Schiller|Schiller]], both of whom began to write on the history of art, and his account of th
    27 KB (4,116 words) - 23:42, 12 December 2020
  • ...contemplating beautiful forms: the notion of the ‘play impulse’ forms for Schiller the basis of an aesthetic theory and vision of a harmonious and just societ
    38 KB (6,034 words) - 18:41, 13 May 2009
  • ...an Aesthetic and Literary Criticism: Winckelmann, Lessing, Hamann, Herder, Schiller, Goethe. Cambridge: Cambridge University Press, 1985. (Aesthetica in NuceM, * Dahlstrom, Daniel, 2000, "The Aesthetic Holism of Hamann, Herder and Schiller", in Karl Ameriks (ed.) The Cambridge Companion to German Idealism. Cambrid
    58 KB (8,742 words) - 14:06, 15 April 2009
  • ...ogical thinking have been those of [[Giambattista Vico]], [[Schelling]], [[Schiller]], [[Carl Jung]], [[Freud]], [[Lévy-Bruhl]], [[Levi-Strauss]], [[Northrop
    23 KB (3,525 words) - 01:40, 13 December 2020