1980 N.Y. Times 4 Aug. C15/1 Lar Lubovitch is one choreographer who has been drawn by the music of such ‘trance’ music pioneers as Steve Reich and Philip Glass. 1988 Times (Nexis) 18 Aug., Distinct styles began to emerge. One was the eccentric and predominantly instrumental sound that has been called a 1980s equivalent of free jazz, music for contemplation, the dance-floor's answer to New Age music, trance dance and acid. 1990 Blitz Oct. 74 Asked to describe his musical preferences, Bicknell..merely mutters the word ‘trance’. 1992 i-D July 78/2 Superb trance house full of spot-on drum drops and trippy noise. 1997 New Yorker 28 Apr. 186/1 During her trips to see Etienne in Marrakech, Blanca had..been inspired by Gnawa, Morocco's trance music. 2000 Big Issue 4 Sept. 30/2 Block and Lisa Lashes justify the extravagant price tag as they pump those burned little brains with an ungodly diet of non-stop trance. | 1980 N.Y. Times 4 Aug. C15/1 Lar Lubovitch is one choreographer who has been drawn by the music of such ‘trance’ music pioneers as Steve Reich and Philip Glass. 1988 Times (Nexis) 18 Aug., Distinct styles began to emerge. One was the eccentric and predominantly instrumental sound that has been called a 1980s equivalent of free jazz, music for contemplation, the dance-floor's answer to New Age music, trance dance and acid. 1990 Blitz Oct. 74 Asked to describe his musical preferences, Bicknell..merely mutters the word ‘trance’. 1992 i-D July 78/2 Superb trance house full of spot-on drum drops and trippy noise. 1997 New Yorker 28 Apr. 186/1 During her trips to see Etienne in Marrakech, Blanca had..been inspired by Gnawa, Morocco's trance music. 2000 Big Issue 4 Sept. 30/2 Block and Lisa Lashes justify the extravagant price tag as they pump those burned little brains with an ungodly diet of non-stop trance. |