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[http://0-www.oxfordreference.com.library.acaweb.org/views/BOOK_SEARCH.html?book=t149 '''''The Oxford Companion to American Theatre''''']

[https://0-www.oxfordreference.com.catalog.sewanee.edu/views/BOOK_SEARCH.html?book=t149 '''''The Oxford Companion to American Theatre''''']

Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic [[movements]], and much more. The [[book]] covers not only classic works (such as [[Death of a Salesman]]) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from [[Shakespeare]] to [[Beckett]] and [[Pinter]]). New entries include recent plays such as Angels in America and [[Six Degrees of Separation]], performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance.  

Now thoroughly revised, this distinguished volume once again provides an up-to-date guide to the American stage from its beginnings to the present. Completely updated by theater professor Thomas Hischak, the volume includes playwrights, plays, actors, directors, producers, songwriters, famous playhouses, dramatic [[movements]], and much more. The [[book]] covers not only classic works (such as [[Death of a Salesman]]) but also many commercially successful plays (such as Getting Gertie's Garter), plus entries on foreign figures that have influenced our dramatic development (from [[Shakespeare]] to [[Beckett]] and [[Pinter]]). New entries include recent plays such as Angels in America and [[Six Degrees of Separation]], performers such as Eric Bogosian and Bill Irwin, playwrights like David Henry Hwang and Wendy Wasserstein, and relevant developments and issues including AIDS in American theatre, theatrical producing by Disney, and the rise in solo performance.