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Line 1: − + − The phrase [http://en.wikipedia.org/wiki/Cellar_door cellar door] has some notoriety as the reputedly most euphonic sound combination of the [[English]] [[language]] (specifically, when spoken with a [http://en.wikipedia.org/wiki/British_accent British accent]). − + + + +
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[[File:lighterstill.jpg]][[File:Litany-of-echoes_3.jpg|right|frame]]
[[File:lighterstill.jpg]][[File:Litany-of-echoes_3.jpg|right|frame]]
'''Phonaesthetics''' (from the Greek: φωνή, phōnē, "[[voice]]-[[sound]]"; and αἰσθητική, aisthētikē, "[[aesthetics]]") is the claim or [[study]] of inherent pleasantness or [[beauty]] ('''euphony''') or unpleasantness ('''cacophony''') of the sound of certain linguistic utterances. Poetry is considered euphonic, as is well-crafted literary prose. Important phonaesthetic devices of poetry are [[rhyme]], [http://en.wikipedia.org/wiki/Assonance assonance] and [http://en.wikipedia.org/wiki/Alliteration alliteration]. Closely related to euphony and cacophony is the [[concept]] of consonance and dissonance.
'''Phonaesthetics''' (from the Greek: φωνή, phōnē, "[[voice]]-[[sound]]"; and αἰσθητική, aisthētikē, "[[aesthetics]]") is the claim or [[study]] of inherent pleasantness or [[beauty]] ('''euphony''') or unpleasantness ('''cacophony''') of the sound of certain linguistic utterances. Poetry is considered euphonic, as is well-crafted literary prose. Important phonaesthetic devices of poetry are [[rhyme]], [https://en.wikipedia.org/wiki/Assonance assonance] and [https://en.wikipedia.org/wiki/Alliteration alliteration]. Closely related to euphony and cacophony is the [[concept]] of consonance and dissonance.
From this [[meaning]] should be distinguished the closely related but different [[concept]] of phonaesthesia, which does not refer directly to [[aesthetic]] attributes of [[sound]], but to phonetic elements that are inherently associated with a semantic [[meaning]]. The term was introduced by [http://en.wikipedia.org/wiki/J._R._Firth J. R. Firth] in 1930 "The phonæsthetic habits [...] and are of general importance in speech." Firth defined a phonaestheme as "a phoneme or cluster of phonemes [[shared]] by a [[group]] of [[words]] which also have in common some element of [[meaning]] or [[function]], though the [[words]] may be etymologically unrelated."
The phrase [https://en.wikipedia.org/wiki/Cellar_door cellar door] has some notoriety as the reputedly most euphonic sound combination of the [[English]] [[language]] (specifically, when spoken with a [https://en.wikipedia.org/wiki/British_accent British accent]).
From this [[meaning]] should be distinguished the closely related but different [[concept]] of phonaesthesia, which does not refer directly to [[aesthetic]] attributes of [[sound]], but to phonetic elements that are inherently associated with a semantic [[meaning]]. The term was introduced by [https://en.wikipedia.org/wiki/J._R._Firth J. R. Firth] in 1930 "The phonæsthetic habits [...] and are of general importance in speech." Firth defined a phonaestheme as "a phoneme or cluster of phonemes [[shared]] by a [[group]] of [[words]] which also have in common some element of [[meaning]] or [[function]], though the [[words]] may be etymologically unrelated."
==References==
==References==
* Ross Smith, Inside Language - Linguistic and Aesthetic Theory in Tolkien, Walking Tree Publishers (2007), ISBN 978-3-905703-06-1.
* Ross Smith, Inside Language - Linguistic and Aesthetic Theory in Tolkien, Walking Tree Publishers (2007), ISBN 978-3-905703-06-1.
[[Category: Languages and Literature]]
[[Category: Languages and Literature]]
