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| ==Etymology== | | ==Etymology== |
| Middle French & [[Latin]]; Middle French rhythme, from Latin rhythmus, from [[Greek]] rhythmos, probably from rhein to [[flow]] | | Middle French & [[Latin]]; Middle French rhythme, from Latin rhythmus, from [[Greek]] rhythmos, probably from rhein to [[flow]] |
− | *Date: [http://www.wikipedia.org/wiki/16th_Century 1560] | + | *Date: [https://www.wikipedia.org/wiki/16th_Century 1560] |
| ==Definitions== | | ==Definitions== |
| *1 a : an ordered recurrent alternation of strong and weak elements in the [[flow]] of [[sound]] and [[silence]] in [[speech]] | | *1 a : an ordered recurrent alternation of strong and weak elements in the [[flow]] of [[sound]] and [[silence]] in [[speech]] |
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| A rhythmic [[unit]] is a durational [[pattern]] which occupies a period of time equivalent to a pulse or pulses on an underlying metric level, as [[opposed]] to a rhythmic [[gesture]] which does not (DeLone et al. (Eds.), 1975 | | A rhythmic [[unit]] is a durational [[pattern]] which occupies a period of time equivalent to a pulse or pulses on an underlying metric level, as [[opposed]] to a rhythmic [[gesture]] which does not (DeLone et al. (Eds.), 1975 |
| ==Origins of human appreciation of rhythm== | | ==Origins of human appreciation of rhythm== |
− | In his series How Music Works, [http://en.wikipedia.org/wiki/Howard_Goodall Howard Goodall] presents [[theories]] that rhythm recalls how we walk and the heartbeat we heard in the [[womb]]. More likely is that a simple pulse or di-dah beat recalls the footsteps of another [[person]]. Our sympathetic urge to [[dance]] is designed to boost our [[energy]] levels in order to cope with someone, or some animal chasing us – a fight or flight response. From a less darwinist [[perspective]], perceiving rhythm is the ability to [[master]] the otherwise [[invisible]] [[dimension]], time. Rhythm is possibly also rooted in courtship [[ritual]]. | + | In his series How Music Works, [https://en.wikipedia.org/wiki/Howard_Goodall Howard Goodall] presents [[theories]] that rhythm recalls how we walk and the heartbeat we heard in the [[womb]]. More likely is that a simple pulse or di-dah beat recalls the footsteps of another [[person]]. Our sympathetic urge to [[dance]] is designed to boost our [[energy]] levels in order to cope with someone, or some animal chasing us – a fight or flight response. From a less darwinist [[perspective]], perceiving rhythm is the ability to [[master]] the otherwise [[invisible]] [[dimension]], time. Rhythm is possibly also rooted in courtship [[ritual]]. |
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− | Neurologist [http://en.wikipedia.org/wiki/Oliver_Sacks Oliver Sacks] posits that [[human]] affinity for rhythm is fundamental, so much that a [[person]]'s sense of rhythm cannot be lost in the way that [[music]] and [[language]] can (e.g. by stroke). In addition, he states that chimpanzees and other animals show no similar [[appreciation]] for rhythm.[http://en.wikipedia.org/wiki/Rhythm] | + | Neurologist [https://en.wikipedia.org/wiki/Oliver_Sacks Oliver Sacks] posits that [[human]] affinity for rhythm is fundamental, so much that a [[person]]'s sense of rhythm cannot be lost in the way that [[music]] and [[language]] can (e.g. by stroke). In addition, he states that chimpanzees and other animals show no similar [[appreciation]] for rhythm.[https://en.wikipedia.org/wiki/Rhythm] |
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| [[Category: Linguistics]] | | [[Category: Linguistics]] |
| [[Category: Music]] | | [[Category: Music]] |