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In "Technology and Music Performance in the Age of Mechanical Reproduction, " published in 1989 by The International Review of the Aesthetics and Sociology of Music, Jon Frederickson discusses metronome time vs. musical time, machines for "playing together" and the musical vector in the early emergence of what we call "social technologies." To define the latter, Frederickson relies on Peterson's The Industrial Order and Social Policy, where Peterson "distinguishes social and machine technology as follows: machine technology involves the processing of tools and machines, and social technology involves the skills and means of organizing people to get work done" (194). Frederickson argues that "social technology perpared the way for and was the stimulus for machine technology in musical artwolds".[http://wyrd2thewiki.pbwiki.com/words+and+sound]

In "Technology and Music Performance in the Age of Mechanical Reproduction, " published in 1989 by The International Review of the Aesthetics and Sociology of Music, Jon Frederickson discusses metronome time vs. musical time, machines for "playing together" and the musical vector in the early emergence of what we call "social technologies." To define the latter, Frederickson relies on Peterson's The Industrial Order and Social Policy, where Peterson "distinguishes social and machine technology as follows: machine technology involves the processing of tools and machines, and social technology involves the skills and means of organizing people to get work done" (194). Frederickson argues that "social technology perpared the way for and was the stimulus for machine technology in musical artwolds".[https://wyrd2thewiki.pbwiki.com/words+and+sound]

[[Category: Languages and Literature]]

[[Category: Languages and Literature]]

[[Category: Music]]

[[Category: Music]]