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[[File:lighterstill.jpg]][[Image:Beauty low res.jpg|right|frame|<center>[[ Euler]]'s Relation</center>]]
 
[[File:lighterstill.jpg]][[Image:Beauty low res.jpg|right|frame|<center>[[ Euler]]'s Relation</center>]]
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*[http://en.wikipedia.org/wiki/16th_century ca. 1510]
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*[https://en.wikipedia.org/wiki/16th_century ca. 1510]
 
==Definitions==
 
==Definitions==
 
*1a :  refined [[grace]] or [[dignified]] propriety :  urbanity
 
*1a :  refined [[grace]] or [[dignified]] propriety :  urbanity
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'''Elegance''' is a synonym for [[beautiful]] that has come to acquire the additional [[connotations]] of unusual effectiveness and [[simplicity]]. It is frequently used as a standard of tastefulness particularly in the areas of visual [[design]], decoration, [[the sciences]], and the aesthetics of [[mathematics]]. Elegant things exhibit refined [[grace]] and dignified propriety.
 
'''Elegance''' is a synonym for [[beautiful]] that has come to acquire the additional [[connotations]] of unusual effectiveness and [[simplicity]]. It is frequently used as a standard of tastefulness particularly in the areas of visual [[design]], decoration, [[the sciences]], and the aesthetics of [[mathematics]]. Elegant things exhibit refined [[grace]] and dignified propriety.
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Different applications of the term are not fully [http://en.wikipedia.org/wiki/Isomorphism_(disambiguation) isomorphic] in the sense described by [http://en.wikipedia.org/wiki/Douglas_Hofstadter Douglas Hofstadter] as follows: “The word ‘isomorphism’ applies when two [[complex]] structures can be mapped onto each other, in such a way that to each part of one [[structure]] there is a [[corresponding]] part in the other structure, where ‘corresponding’ means that the two parts play similar [[roles]] in their respective structures.” The lack of such an isomorphism means that various [[definitions]] are in some degree mutually inconsistent.
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Different applications of the term are not fully [https://en.wikipedia.org/wiki/Isomorphism_(disambiguation) isomorphic] in the sense described by [https://en.wikipedia.org/wiki/Douglas_Hofstadter Douglas Hofstadter] as follows: “The word ‘isomorphism’ applies when two [[complex]] structures can be mapped onto each other, in such a way that to each part of one [[structure]] there is a [[corresponding]] part in the other structure, where ‘corresponding’ means that the two parts play similar [[roles]] in their respective structures.” The lack of such an isomorphism means that various [[definitions]] are in some degree mutually inconsistent.
    
Nonetheless, essential components of the concept include [[simplicity]] and [[consistency]] of design, [[focusing]] on the essential features of an object. In [[art]] of any kind one might also require dignified grace, or restrained [[beauty]] of style.
 
Nonetheless, essential components of the concept include [[simplicity]] and [[consistency]] of design, [[focusing]] on the essential features of an object. In [[art]] of any kind one might also require dignified grace, or restrained [[beauty]] of style.
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[[Visual]] [[stimuli]] are frequently considered elegant if a small number of [[colors]] and stimuli are used, emphasizing the remainder.
 
[[Visual]] [[stimuli]] are frequently considered elegant if a small number of [[colors]] and stimuli are used, emphasizing the remainder.
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In [http://en.wikipedia.org/wiki/Philosophy_of_science philosophy of science], [[simplicity]] is a meta-scientific criterion by which to evaluate [[competing]] [[theories]]. In this field, a distinction is often made between two senses of simplicity: "syntactic simplicity" (the number and [[complexity]] of [[hypotheses]]), and [http://en.wikipedia.org/wiki/Ontological_simplicity ontological simplicity] (the number and complexity of things postulated). These two aspects of simplicity are often referred to as elegance and [http://en.wikipedia.org/wiki/Parsimony parsimony] respectively.[http://en.wikipedia.org/wiki/Elegance]
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In [https://en.wikipedia.org/wiki/Philosophy_of_science philosophy of science], [[simplicity]] is a meta-scientific criterion by which to evaluate [[competing]] [[theories]]. In this field, a distinction is often made between two senses of simplicity: "syntactic simplicity" (the number and [[complexity]] of [[hypotheses]]), and [https://en.wikipedia.org/wiki/Ontological_simplicity ontological simplicity] (the number and complexity of things postulated). These two aspects of simplicity are often referred to as elegance and [https://en.wikipedia.org/wiki/Parsimony parsimony] respectively.[https://en.wikipedia.org/wiki/Elegance]
    
[[Category: The Arts]]
 
[[Category: The Arts]]
 
[[Category: The Sciences]]
 
[[Category: The Sciences]]