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'''Fantasy''' is a [[genre]] that uses [[magic]] and other [[supernatural]] forms as a primary element of [[plot]], [[theme]], and/or setting. Many works within the genre take place on [[fiction]]al planes or [[planets]] where magic is common. Fantasy is generally distinguished from [[science fiction]] and horror by the [[expectation]] that it steers clear of [[scientific]] and macabre themes, respectively, though there is a great deal of overlap between the three (which are subgenres of speculative fiction).

'''Fantasy''' is a [[genre]] that uses [[magic]] and other [[supernatural]] forms as a primary element of [[plot]], [[theme]], and/or setting. Many works within the genre take place on [[fiction]]al planes or [[planets]] where magic is common. Fantasy is generally distinguished from [[science fiction]] and horror by the [[expectation]] that it steers clear of [[scientific]] and macabre themes, respectively, though there is a great deal of overlap between the three (which are subgenres of speculative fiction).

In popular [[culture]], the genre of fantasy is dominated by its medievalist form, especially since the worldwide success of the [http://en.wikipedia.org/wiki/The_Lord_of_the_Rings The Lord of the Rings] by [http://en.wikipedia.org/wiki/J._R._R._Tolkien J. R. R. Tolkien]. In its broadest sense however, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient [[myths]] and legends to many recent works [[embraced]] by a wide [[audience]] today.

In popular [[culture]], the genre of fantasy is dominated by its medievalist form, especially since the worldwide success of the [https://en.wikipedia.org/wiki/The_Lord_of_the_Rings The Lord of the Rings] by [https://en.wikipedia.org/wiki/J._R._R._Tolkien J. R. R. Tolkien]. In its broadest sense however, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient [[myths]] and legends to many recent works [[embraced]] by a wide [[audience]] today.

Fantasy is a vibrant area of academic [[study]] in a number of [[disciplines]] (English, cultural studies, comparative literature, [[history]], medieval studies). [[Work]] in this area ranges widely, from the structuralist theory of [http://en.wikipedia.org/wiki/Tzvetan_Todorov Tzvetan Todorov], which emphasizes the fantastic as a [[liminal]] [[space]], to work on the connections ([[political]], historical, literary) between medievalism and popular culture.  

Fantasy is a vibrant area of academic [[study]] in a number of [[disciplines]] (English, cultural studies, comparative literature, [[history]], medieval studies). [[Work]] in this area ranges widely, from the structuralist theory of [https://en.wikipedia.org/wiki/Tzvetan_Todorov Tzvetan Todorov], which emphasizes the fantastic as a [[liminal]] [[space]], to work on the connections ([[political]], historical, literary) between medievalism and popular culture.  

<center>For lessons on the [[topic]] of '''''Fantasy''''', follow '''''[https://nordan.daynal.org/wiki/index.php?title=Category:Fantasy this link]'''''.</center>

<center>For lessons on the [[topic]] of '''''Fantasy''''', follow '''''[https://nordan.daynal.org/wiki/index.php?title=Category:Fantasy this link]'''''.</center>

==Traits of fantasy==

==Traits of fantasy==

The identifying traits of fantasy are the inclusion of fantastic elements in a self-coherent (internally consistent) setting, where [[inspiration]] from [[mythology]] and folklore remain a consistent theme. Within such a [[structure]], any location of the fantastical element is possible: it may be hidden in, or leak into the apparently real world setting, it may draw the characters into a world with such elements, or it may occur entirely in a fantasy world setting, where such elements are part of the world.  American fantasy, starting with the stories chosen by [http://en.wikipedia.org/wiki/John_W._Campbell,_Jr. John W. Campbell], Jr. for the magazine Unknown, is often characterized by internal [[logic]]. That is, the [[events]] in the story are impossible, but follow "[[laws]]" of [[magic]], and have a setting that is internally consistent.[http://en.wikipedia.org/wiki/Fantasy]

The identifying traits of fantasy are the inclusion of fantastic elements in a self-coherent (internally consistent) setting, where [[inspiration]] from [[mythology]] and folklore remain a consistent theme. Within such a [[structure]], any location of the fantastical element is possible: it may be hidden in, or leak into the apparently real world setting, it may draw the characters into a world with such elements, or it may occur entirely in a fantasy world setting, where such elements are part of the world.  American fantasy, starting with the stories chosen by [https://en.wikipedia.org/wiki/John_W._Campbell,_Jr. John W. Campbell], Jr. for the magazine Unknown, is often characterized by internal [[logic]]. That is, the [[events]] in the story are impossible, but follow "[[laws]]" of [[magic]], and have a setting that is internally consistent.[https://en.wikipedia.org/wiki/Fantasy]

==External links==

==External links==

* The [http://gutenberg.net.au/sfproject.html SF Page] at [http://gutenberg.net.au Project Gutenberg of Australia]

* The [https://gutenberg.net.au/sfproject.html SF Page] at [https://gutenberg.net.au Project Gutenberg of Australia]

* [http://www.darkfantasy.org/fantasy/?p=2172 Taboos and Tropes in Fantasy Literature]

* [https://www.darkfantasy.org/fantasy/?p=2172 Taboos and Tropes in Fantasy Literature]

==See also==

==See also==

*'''''[http://en.wikipedia.org/wiki/Fairy_tale Fairy Tale]'''''

*'''''[https://en.wikipedia.org/wiki/Fairy_tale Fairy Tale]'''''

*'''''[[Make believe]]'''''

*'''''[[Make believe]]'''''

[[Category: Languages and Literature]]

[[Category: Languages and Literature]]