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• Oxford Companion to Music
  ...g.sewanee.edu/views/BOOK_SEARCH.html?book=t114 ''''The Oxford Companion to Music'''''] ...ctice. All varieties of musical forms are covered, including jazz, popular music, and dance.
  917 bytes (124 words) - 01:22, 13 December 2020
• Music of the spheres
  ...[[religious]] concept. The idea continued to appeal to [[thinkers]] about music until the end of the [[Renaissance]], influencing [[scholars]] of many kind ...] as "twinned" studies of [[sensual]] recognition: astronomy for the eyes, music for the ears, and both requiring [[knowledge]] of [[numerical]] [[proportio
  4 KB (630 words) - 01:20, 13 December 2020
• Articulation
  In [https://en.wikipedia.org/wiki/Graph_theory graph theory], a biconnected component (or 2-connected component) is a maximal [https:// In [[music]], '''articulation''' refers to the musical direction [[performance]] [[tec
  2 KB (304 words) - 23:42, 12 December 2020
• Content
  ...Published [[information]] and [[experience]]s such as many novels, movies, music, game, webpages, presentations, organized data, etc. * Content (measure [[theory]]), an additive real function defined on a field of sets
  1 KB (140 words) - 23:45, 12 December 2020
• Groups
  *2. (group theory) A set with an associative binary operation, under which there exists an [[ *3. A (usually small) group of people who perform [[music]] together.
  2 KB (295 words) - 22:31, 12 December 2020
• Surrealism
  ...[political]] [[thought]] and [[practice]], [[philosophy]] and [[social]] [[theory]].[https://en.wikipedia.org/wiki/Surrealism]
  1 KB (204 words) - 02:35, 13 December 2020
• Mechanism
  ...structure]] or operation of a '''machine''' or other complex [[system]]; a theory or approach relating to this. :b. spec. in a [[music]]al instrument.
  2 KB (333 words) - 22:31, 12 December 2020
• Secondary Corpus
  ==== [[Music]][https://nordan.daynal.org/wiki/index.php?title=Category:Music] ==== The theory and practice of [[politics]]; descriptive analyses of [[political system]]s
  8 KB (1,084 words) - 02:37, 13 December 2020
• Interval
  ...g/wiki/Dyad_(music) dyads]. Although [https://en.wikipedia.org/wiki/Chord_(music) chords] are often defined as sets of three or more notes, intervals are so Minute intervals ([https://en.wikipedia.org/wiki/Comma_(music) commas], and [https://en.wikipedia.org/wiki/Microtone microtones]) can be
  3 KB (464 words) - 01:22, 13 December 2020
• Fugue
  ...ally alternated until the "final entry" of the subject, by which point the music has returned to the opening key, or [[tonic]], which is often followed by c ...opher [[Theodor Adorno]], a skilled pianist and interpreter of Beethoven's music, expressed a sense of the arduousness and also the inauthenticity of modern
  11 KB (1,541 words) - 01:17, 13 December 2020
• Dissonance
  *In [[music]], a consonance (Latin com-, "with" + sonare, "to [[sound]]") is a [[harmon ...aused by holding two [[contradictory]] [[ideas]] [[simultaneously]]. The [[theory]] of cognitive dissonance proposes that people have a [[motivational]] driv
  4 KB (536 words) - 01:17, 13 December 2020
• Degeneration
  ...arwin Charles Darwin]'s [https://en.wikipedia.org/wiki/Theory_of_Evolution Theory of Evolution]. [[Evolution]] meant that [[mankind]]'s [[development]] was n ...r circumstances might change and suit a more adapted species. Degeneration theory presented a pessimistic outlook for the [[future]] of [https://en.wikipedia
  6 KB (851 words) - 23:42, 12 December 2020
• Homage
  ...or to an admired practitioner by alluding to their [[work]].[3] In [[rock music]] this can take the form of a [[tribute]] album or of a sample.[4] As of 20 # John Shepherd, "Rock Homage", Continuum Encyclopedia of Popular Music of the World
  3 KB (464 words) - 23:56, 12 December 2020
• Wyrd rhetoric
  ...and interruption of patterns in time. In the Greek tradition, we find that music and rhetoric acquire consistency and practicability, manifesting as prosodi ...he conclusions of the ancient theorists, Nietzsche holds that language and music are just discrepant mediums, wherever they represent the intersection of ti
  8 KB (1,186 words) - 02:44, 13 December 2020
• Value
  *6. (music) The [[relative]] duration of a musical [[note]]. * [[Value theory]] -- in ethics, aesthetics and other evaluative matters
  3 KB (384 words) - 02:41, 13 December 2020
• Note
  *II. Senses relating to music and sound. :6. a. A tune, a song; a melody; a strain of music. Obs. (poet. in later use).
  8 KB (1,397 words) - 01:39, 13 December 2020
• Structure
  ...cture, [[Alfred Korzybski]] is probably best-remembered for developing the theory of [[general semantics]]. ==Music==
  7 KB (1,155 words) - 23:44, 19 May 2009
• Triad
  ...ith its third and fifth and constituting the [[harmonic]] basis of tonal [[music]] ==Indo-European theory==
  7 KB (999 words) - 02:43, 13 December 2020
• Temperament
  ...ight modification of [[Acoustics|acoustically pure intervals in tuning a [[Music|musical]] instrument; especially : modification that produces a set of 12 e [[History|Historically]], the [[concept]] of temperament was part of the [[theory]] of the four humours, with their corresponding four temperaments. The conc
  3 KB (434 words) - 02:36, 13 December 2020
• Pulsation
  ...c function]. The sinc pulse is of some significance in signal-processing [[theory]] but cannot be produced by a real generator for [[reasons]] of [[causality [[Category: Music]]
  4 KB (546 words) - 02:32, 13 December 2020

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